{"id":649,"date":"2020-10-19T21:01:31","date_gmt":"2020-10-19T19:01:31","guid":{"rendered":"https:\/\/www.nuriaanyo.com\/blog\/amp\/?p=649"},"modified":"2022-04-28T11:02:56","modified_gmt":"2022-04-28T09:02:56","slug":"on-female-authors","status":"publish","type":"post","link":"https:\/\/www.nuriaanyo.com\/blog\/amp\/2020\/10\/19\/on-female-authors\/","title":{"rendered":"On Women Writers, by N\u00faria A\u00f1\u00f3"},"content":{"rendered":"\n

Did you know that the Women Writers Day was born four years ago on an initiative of the National Library of Spain (BNE), among others, to compensate for the historical discrimination of women in literature?<\/p><\/blockquote>\n\n\n\n

This text by N\u00faria A\u00f1\u00f3<\/a> is part of a longer essay titled \u201cThe Mother Tongue in Foreign Lands\u201d. It was read at Shanghai Writers\u2019 Association in China on September 11, 2016, and published at Wenhui Daily. <\/p>\n\n\n\n

Languages constitute my job as a writer, a translator, even as a reader.<\/p>\n\n\n\n

French writer Marguerite Duras<\/strong> wrote in La vie mat\u00e9rielle<\/em> the following sentence: \u201cA writer is a foreign country.\u201d<\/p>\n\n\n\n

When I was young, her books made me feel many things while reading. It was not only because of her stories and characters, but the language with brief sentences and the depth of her writing! I felt this through a translation; it wasn\u2019t her own words.<\/p>\n\n\n\n

It happened again with the Austrian writer Elfriede Jelinek<\/strong><\/a>. The importance of her voices in novels and plays are so extraordinary that I had to learn German to read her work in her native language to find many witty wordplays that usually are not translated.<\/p>\n\n\n\n

Even so, literary translations construct cultural bridges and enlarge our horizons. Readers and writers around the world have a cultural commitment with our time.<\/p>\n\n\n\n

About the author<\/h2>\n\n\n\n

N\u00faria A\u00f1\u00f3<\/strong> was born in Lleida, Catalonia, Spain, in 1973. She is a Catalan\/Spanish writer, a translator and a regular speaker at conferences and symposia, where she gives papers on literary creation, films, cities or authors like Elfriede Jelinek, Patricia Highsmith, Salka Viertel, Karen Blixen, Alexandre Dumas or Franz Werfel at the University of Lleida (UdL), Tunis University, University of Ja\u00e9n (UJA), International University of Andaluc\u00eda (UNIA), Spanish National Research Council (CSIC-Madrid), Sysm\u00e4n Kirjasto Library in Finland, Shanghai Writers’ Association (SWA), Fudan University in China, East China Normal University, Sinan Mansion, Instituto Cervantes in Shanghai, Conrad Festival in Poland, Massolit Books, Baza or Instituto Cervantes in Krakow, also in libraries, secondary schools or in higher education. She also acts as a juror for international competitions.<\/p>\n\n\n\n

Her novel Els nens de l’Elisa<\/em> was third among the finalists for the 24th Ramon Llull Prize for Catalan Literature and was published in 2006. L’escriptora morta<\/em> [The Dead Writer<\/a><\/em>, 2020], in 2008; N\u00favols baixos<\/em> [Lowering Clouds<\/a><\/em>, 2020], in 2009, and La mirada del fill<\/em>, in 2012. She is the author of a biography on screenwriter Salka Viertel, El sal\u00f3n de los artistas exiliados en California<\/em> [The Salon of Exiled Artists in California<\/a><\/em>, 2020] Jewish salonni\u00e8re and well-known in Hollywood in the thirties as a specialist on Greta Garbo scripts.<\/p>\n\n\n\n

Some of her novels, short stories and articles are translated into Spanish, French, English, Italian, German, Polish, Chinese, Latvian, Portuguese, Dutch and Greek.<\/p>\n\n\n\n

Her writing focus on the characters’ psychology, generally antiheroes. The characters are the most important in her books, much more than the topic, due to “an introspection, a reflection, not sentimental, but feminine”. Her novels cover a multitude of topics, treat actual and socially relevant problems such as injustices or poor communication between people and frequently, the core of her stories remains unexplained. A\u00f1\u00f3 asks the reader to discover the “deeper meaning” and to become involved in the events presented. Read more<\/a><\/p>\n\n\n\n

Literary Prizes\/ Awards:<\/h3>\n\n\n\n